In the vast realm of art, the landscape is never merely a collection of trees, hills, or open skies. It is a refuge, an enigma, a silent companion that welcomes and reflects the depths of the human spirit. When an artist gazes upon a lush expanse or an endless sea, they do not see only a physical horizon; they perceive the interlacing of their own emotions, the echo of memories, a visual allegory of the

There is something that both attracts and profoundly unsettles us in these winged figures. Where the human meets the sacred, the angel appears, suspended in an undefined dimension between heaven and earth. A multifaceted and mysterious figure, the angel embodies meanings that oscillate between the sacred and the profane, between devotion and rebellion. But why does art—from medieval painting to street art—continue to depict it? The answer might lie in the fact that an angel

Justice and injustice do not escape art; indeed, justice in art appears not only as a symbol of abstract morality but also weaves itself into human truths, ethical dilemmas, and the powers that define it. Throughout the centuries, art has offered a mutable perspective on justice—from law as social harmony, solemnly represented in ancient and medieval works, to a justice imbued with sterner, more institutional attributes through symbols such as the scales, the sword, and

Nothing fascinates more than that which exists solely as a possibility, that which one cannot assert with certainty exists. Dream and mystery intertwine in art—as in our imagination—hovering between the visible and the invisible to offer new levels of interpretation. At the beginning of the century, Marc Chagall plunged into a personal, fantastical world, giving form to inner visions in which intense colors and floating figures reveal a poetic and nostalgic dimension. His flying animals,